It was a year that opened me up to films I never would have seen years ago and “Spider Baby” was one of the many gems I found thanks to Turner Classic Movies and haven’t stopped talking about since. “The Maddest Story Ever Told,” or “Attack of the Liver Eaters,” or “Cannibal Orgy,” whatever you want to call it, it’s a near masterpiece in every sinister minute now as it was then.Ģ007 was a year where I managed to discover many cult classics for myself. “Spider Baby” is an immortal tribute to Banner and the possibilities she possessed, and she gladly lives on in this utterly entertaining horror classic. And, as Hill explains in “The Hatching of Spider Baby”: one of the loves of Marlon Brando’s life. She should have been a legend whose own look garnered praise for her own individual beauty while her acting prowess only complimented such traits, but sadly she was taken at an early age. A certain bias seemed to be dripping from the headline of the article that first broke this story." However, Lucas later also deleted his comment on the Latarnia Forums site.There was something about Jill Banner, an undoubted charisma and sheer allure that really begged for her to become a film icon. "She has always attracted trolls online, and not everything you read about her or her works online is automatically to be trusted. "She's young, beautiful, affluent, educated, athletic and seems to be living a charmed and golden, bicoastal life, now with one of our leading writer/directors on her arm.
"Ever since Lianne arrived on the scene I have noticed that she projects an image that certain fans hate on sight," Lucas wrote. The site also posted a defence of the writer by Tim Lucas, editor of horror magazine Video Watchdog, suggesting that the writer was the victim of jealousy from fellow bloggers. The Gawker website has detailed MacDougall's attempts to convince White and other bloggers to remove their articles containing allegations against her. And just in case she decides to edit it, here's the screenshot I took this morning, with the passages that have been lifted directly from my review highlighted." "Here's my review of Turn Me On, Dammit! Lianne Spiderbaby's is here. "I'm sick of this shit, and it's time to start publicly shaming the wrongdoers," she wrote. MaryAnn Johanson of the FlickFilosopher site said she was shocked to discover one of her reviews had been "borrowed" for MacDougall's column. I'm so sorry to everyone esp those I've wronged." FEARnet has since removed all of MacDougall's reviews. I am leaving journalism behind for awhile. Before that she apparently tweeted a brief apology to followers which was screen-captured by a number of sites: "I apologise for the plagiarism in my work. MacDougall, host of the award-winning horror multimedia site Fright Bytes and author of forthcoming book Grindhouse Girls: Cinema's Hardest Working Women (which is rumoured to feature a foreword by Tarantino) has since deleted her Twitter account and pulled her website from the internet. White later detailed MacDougall's misappropriations in excruciating detail in a post on his blog on Saturday. The alleged plagiarism was discovered after blogger Mike White of the site Impossible Funky set about following up an email tip-off from an anonymous source. Lianne MacDougall, who uses the pen-name Lianne Spiderbaby and who is Quentin Tarantino's current paramour, reportedly copied material by writers for Empire magazine, and, among others, for a column titled Spiderbaby's Terror Tapes on the FEARnet site. A US horror writer has been accused of plagiarising dozens of reviews by other critics for a regular column.
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